Santa made the rounds early this week, delivering the latest Bas Clas CD Love Food Sex Peace to audiences in New Orleans. The 7 song disc features five new songs and two tunes familiar to longtime fans. As with the band’s previous release Big Oak Tree, an Offbeat Magazine Top 50 CDs of 2012 and a nominee for their Best of the Beat awards as Best Rock Album, “LFSP” was recorded at the legendary Dockside Studio and engineered by Grammy-winner David Farrell. Produced by Bas Clas, David Farrell and Steve Nails, the new CD features guest musicians Eric Adcock on keyboards, Jonno Frishberg on fiddle, Roddie Romero on accordion, and Dickie Landry on sax. Backing vocalists include Leslie Smith, Mike Picou, and on the song “Goodnight,” harmony ninjas Susan Cowsill, Alexis Marceau, and Sam Craft. The CD cover art is derived from a stained glass piece by the bassist Geoff Thistlethwaite’s wife Michelle Fontenot.
The band will make the disc available to the public at a special year-end show at Chickie Wah Wah in New Orleans on Friday, December 27. We’re blessed to be able to wrap up an eventful 2013 by releasing this CD at our last live gig of the year. The CD will be available at the Louisiana Music Factory, CD Baby and on iTunes in the coming days.
My band, Bas Clas, takes the Dumaine Street stage at 6pm Saturday, May 18 at the Mid City Bayou Boogaloo for a 90 minute set. Guest musicians include Leslie Smith on vocals, and a brief but very special guest appearance by Jonno Frishberg and Kevin Aucoin. We’re warmed-up and ready to rock, so it’s going to be a good show. Louisiana Music Factory will be there selling our CD and there’s tons of food, arts, crafts and more. This is one of the city’s finest festivals, on the banks of Bayou St. John, and we hope to see lots of friends and make new ones.
The band also spent the past couple of days working with David Farrell, one of the best audio engineers in the world, on our latest batch of songs. We plan on releasing more music in October, so stay tuned!
The End of Daze are upon us. Saturday, October 27, 2012 is the official date chosen by the Enlightened Ones of the Krewe of MOMS to open to the world the chance to join them in costumed revelry as they dance in the face of doom to celebrate the End of Daze. Bas Clas is one of the triumvirate of musical mystics chosen by the priests of pleasure to sound the alarm and sing the songs that will shake the foundations of the Temples of the Prudes.
Taking the altar at the start of the night, Bas Clas will begin the sacrificial rituals with music and dance at the musical temple of The Howlin Wolf in New Orleans.
Asked whether the music can indeed turn the tide at this late hour, a not-to-be-named mystic said, “These are dark times. We shall prevail, and if this is not to be, we shall dance until the end.”
MOMS Halloween 2012, the End of Daze will soon be upon us.
It’s official. The first new recordings by Bas Clas in more than 20 years will be released on Earth Day, Sunday April 22. The 7 song CD is titled “Big Oak Tree” and features a mix of old and new songs all recorded at Dockside Studio in August 2011 with engineer David Farrell. Featuring an expanded lineup that includes Eric Adcock on keyboards, Dickie Landry on sax, and backing vocals from Leslie Smith and Mike Picou, the tunes range from crunchy rockers to a Cajun-flavored tale of life and loss (from which the title was gleaned) that features Roddie Romero on accordion, David Greely and Mitch Reed on fiddles, and Christine Balfa on triangle. The band will be performing at Festival International du Louisiane in Lafayette on Thursday, April 26 at 6pm and the following night (Fri, Apr 27) at The Wild Salmon, also in Lafayette.
When I started this blog, it was to vent my spleen about things that matter to me. Though music was the first subject, and my past work as a public servant trying to help Louisiana recognize the importance and economic impact of music spawned many posts here, I’ve almost never discussed my musical career. In fact, the only blurb about my band was back in 2008. But it’s time to change that.
I spent 15 years as a full time musician in a Lafayette, LA-based band called Bas Clas. The name is from a Cajun insult for people deemed “low class.” There’s a long story behind that and I recommend our Facebook page for the best version. This band was my full time profession from 1976-91. I lived, breathed, ate and slept that musical life. But in 1991 the stresses and struggles and the lack of money finally caught-up with us and we disbanded. I did not play my guitar for the next 9 years. My fingertips had no callouses and I cared not a bit about my “career” in the music business. And when I blundered into my job at the Louisiana Music Commission I knew I could do it without conflict.
For more than 20 years I’ve described myself as “a musician in remission,” and joked that I generally had it under control, though it flared-up now and then, and that music was no longer ruining my life. Well it’s time to sing a different song.
When I withdrew from my musical path, my eyes opened about the desperation and frustration that drives many artists to complain and be unhappy. While at the LMC, a standard line I dispensed to frustrated fellow musicians was, “Play music because you love it. If you are unhappy, quit. And don’t complain, because you’ll find little sympathy.” I still believe that. In fact, in this latest incarnation of my musical life, I live by this: “If it’s not fun I don’t want to do it.” This attitude has been occasionally met with mixed reviews by some of my friends. But I mean it.
So off I go with my band/family to explore our musical horizons. We’re going to spend 9 days playing music. And it’s going to be fun.
An update Saturday in the T-P regarding the film tax credit scandal is worth reading. Another name added to the list of perpetrators–or in this case purpose-traitors for these folks are traitors to Louisiana. They used, abused and stole from the taxpayers and got caught. And they impacted the state’s creative industry, music in particular, in ways from which it has not recovered.
Ok, that’s all I’m going to say about that.
I sat through the entire Tom Petty documentary, “Runnin Down a Dream” and am very glad I did. An amazing film, an incredible artist. In fact, we watched it again the next day. It’s that good.
I know I’ve recommended this before, but if you’re trying to keep up with tons of information, try Alltop.com and push your capacity for overload. The range of subjects/sources seems to be expanding weekly. Headlines from publications and resources you never knew existed are aggregated under subjects ranging from the traditional news, sports, politics, to specialty areas like nonprofits, green and technology. Be careful, you might get lost.
I’ve been scanning what remains of my collection of Bas Clas memorabilia and music. Of course the fact that the band is now booked to play Friday, Oct 31 at Downtown Alive and Saturday, November 1 at the Blue Moon Saloon in Lafayette is probably to blame for my trips down nostalgia lane. We haven’t played since December 2006, so this is a big deal–at least to a few folks. It’s nice to have something fun on the horizon